Jahangir Mahal, Jahangir Mahal in Agra, Monuments at Jahangir Mahal, Agra Jahangir Mahal India, Jahangir MahalJahangir Mahal Tour, Tours to Jahangir Mahal AgraJahangir MahalJahangir Mahal AgraJahangir Mahal AgraJahangir Mahal
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Jahangir Mahal (Agra)
Introduction:

Jahangiri Mahal is the most important building of the Akbari period and the most significant building inside the Agra Fort. The Jahangir Mahal was the principal zenana palace. A splendid gateway leads to an interior courtyard surrounded by grand halls covered with profuse carvings on stone, heavily fashioned brackets, piers, and crossbeams. The zenana palce was built for women belonging to the royal household and was mainly used by the Rajput wives of Akbar.

The Jahangir Mahal in Agra boasts a splendid gateway which leads to an interior courtyard surrounded by grand halls covered with profuse carvings on stone, heavily fashioned brackets, piers, and crossbeams. You can still spot the remains of decorations in gold and blue done in the prevalent Persian style. The features of the Jahangir Mahal are mixed in Transoxanian or Central Asian features such as the verandah on the east front with its high slender columns with courtyard halls styled in the broader Gujarat-Malwa-Rajasthan tradition. This tradition has been passed onto the Mughals by the architecture of Raja Man Singh of Gwalior in the early 16 th century.

The Jahangir Mahal, Agra is glaring example of a daring approach in architecture. The brackets which are so typical of the Gujaratis feature animal and floral motifs which are fabulously carved. They also register a dominating effect on the few Islamic features such as the verandah on the eastern front with exquisitely slender pillars facing the riverfront. Jahangiri Mahal mixes Transoxanian (Central Asian) features, such as the verandah on the east front with its high slender columns (a translation into stone of the timber iwan of vernacular Transoxanian architecture), with courtyard halls styled in the broader Gujarat-Malwa-Rajasthan tradition as it had been passed onto the Mughals by the early 16th-century architecture of Raja Man Singh of Gwalior. This exotic medley and adventurous eclecticism suggests a daring approach in architecture. The typically Gujarati brackets-fabulously carved animal and floral motifs-register a dominating effect on the few Islamic features such as the verandah on the eastern front with exquisitely slender pillars facing the riverfront.
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